Saturday, August 27, 2011

A kindred spirit


Ton ter Linden is famous for his garden-making in Holland, and for his art - mostly still-lifes. Time spent weeding or planting is as important to him as his painting, it’s a kind of partnership with time spent at the easel.

I’m glad to be here at last. I first came across his garden through photographs taken in the mid 1990s by Marijke Heuff, an incredibly gifted Dutch photographer, who at the time was busy with gardens by Piet Oudolf and Henk Gerritsen - indeed her ability to capture the misty faded glory feel of Henk’s Priona Garden helped launched ‘The New Perennial’ look. We used several pictures of his garden in eastern Holland for my book The New Perennial Garden. But I never got round to visiting. He moved with his partner Geert to South Limburg, that salient of Dutchness that shoves itself down between Belgium and Germany in an attempt to plant the flag on a decent hill or two. But it turned out not to be so restuful so they came up here – to the empty fields of Friesland.

I’d come with Dani Coray (whose wonderful really plantygarden so deservedly won a gold at Tatton Park recently) and a friend, Zoe Weston. Clutching our googlemap printout and a very basic £4 Dutch satnav app on my iPhone we bumped down concrete slab roads, where every slab was pointing in a different direction. It’s remote, but it sounds like Ton and Geert get lots of visitors. They run a studio, with work by other artists as well as Ton’s work. Some wonderful sculpture in the garden too.

Ton doesn’t speak English, so wir sprechen ein Bisschen auf Deutsch, but Geert is used to speaking for Ton, and he soon got back to his studio. Geert explained that the garden may look carefree but it involves a lot of emotional as well as physical effort – and that the sound of Ton shouting and swearing as he gardened was not uncommon. I know the feeling. I also knew almost before I waded out into it, that it was my kind of garden. I’ll let the pictures speak for themselves.
















Ton ter Linden's website is here.
We went to lots of other good gardens and nurseries on the trip too... you can read about them on Gardening Gone Wild.

Sunday, August 14, 2011

Historic Andrew Chatto archives now published online!


Dry meadow above Mikulov in Czech Republic, on a rather grey day last autumn. Knowledge of what grows in rather difficult places like this can be a guide to what will thrive in similar conditions at home.

             
             Beth Chatto’s position as a leading garden guru of the latter half of the 20th century rests on the realisation of something which we now think of as obvious – that garden plants should be selected on the basis of habitat. Her garden consists of a series of gardens situated in dry, spring-fed and dry shade areas using combinations of plants adapted by nature to these difficult conditions. But finding out natural plant associations involved a close collaboration with her late husband, Andrew. Indeed the entire Beth Chatto planting philosophy was very much a joint effort.       
            Garden reference books, then and now, have never said very much about where plants come from, or their habitat. The only way to find out is to comb through journals and scholarly works. This is what Andrew Chatto did, over many years, from around 1940 until his death in 1990. He read the scientific literature in  German and French, and in order to be able to read the extensive material on the plant life of the Soviet Union, he learned Russian. The result of his researches is twelve binders of closely typewritten text, probably a little short of a million words. Each collection of notes covers a different part of the world’s temperate zones, and covers most of the regions from which our garden plants come from. There are lyrically descriptive passages of local geography and vegetation, and extensive lists of species of each habitat and region.
             So, when Beth was creating her marvellous garden, from 1960 onwards, and came across a new plant, or found herself with a particularly inhospitable problem area, it was to Andrew she turned for advice. During his researches he compiled indices which enabled him to find many plants relatively quickly. The result is a garden where plants are at least approximately matched to conditions similar to their homes.    
           For many years Beth worried about what to do with Andrew's papers. She approached me several years ago, and after a while it occurred to me that we should get them all put online.  A note in the newsletter of the Hardy Plant Society brought forward 55 responses, from which I selected eight to type up the notes into a digital format– mostly retired people, skilled copy-typists, all familiar with scientific plant naming. The next stage was to put the text online, so that anyone can read it.AND HERE IT IS!!
Seeing familiar plants in their natural habitat gives the gardener a particular thrill – and as more of us travel, further and further, it is something that is becoming a more widely shared experience. But what can we learn? Sometimes it seems, seeing a plant in the wild offers real insight, at others it seems to contradict our experience. One factor which muddies the waters is that the British climate is so different to that experienced by the ancestors of many of our garden plants. Plants are also often very tolerant  of a wide range of conditions , but are associated with a particular habit, not because they particularly like growing there, but because the fierce level of competition between plants in the wild means that may be the only place where they are can establish as seedlings or can escape from more aggressive species.
            The bottom line is that seeing a plant in the wild can show you the worst it can deal with. I remember having a holiday in  northern Pakistan, an area with a climate of enormous extremes of heat and cold, and finding  Perovskia atriplicifolia growing in the dry stone walls of farmer’s fields. In the garden this perennial with its attractive mid-summer mauve-blue flowers seems to grow anywhere, as does another familiar plant growing in the same place, Clematis orientalis, a robust late-flowering species with thick yellow petals. But both were scrawny and much reduced in size compared to their appearance in our gardens. The lesson seems to be that these plants are great survivors but really prefer the bounty of good soil and adequate moisture.
Knowledge of wild conditions often surprises. Many of us grow Verbena bonariensis, often as a gravel garden plant, its seedlings popping up between stones or paving slabs, seeming to thrive in hot, dry places. So I was astonished to meet a Uruguayan garden designer (Amalia Robredo) who told me that back home on the pampas it is a marshland plant – she even showed me a photo with Dan Pearson standing in front of a mass of the plant to prove it. The reason for its success in our gravel gardens is probably due to favourable conditions  for germination, and lack of competition.
            It is often possible to tell what sort of environment a plant comes from by its appearance – dry habitat species tend to be compact and have tough, often grey, leaves, wetland species to have soft lush growth and big leaves. But beyond this, local knowledge can be very important. A good example are moisture-loving plants. Many species like it wet, but not waterlogged, such as rodgersias and ligularias, which flourish on wet slopes in mountain areas in Asia – the water is always moving and aeriated, never stagnant. Or some will survive winter waterlogging but not summer; I shall never forget walking in the wildflower meadows of Cerknica in Slovenia, where a wide array of wildflowers flourish , including Euphorbia palustris, well-known for its greeny-yellow flowers in our springtime gardens – but where everything is under two metres of water when a temporary lake forms every winter. At Cerknica, Iris pseudacorus flourishes, but moisture-loving Iris sibirica is not to be found – but can be found on hummocks in wet meadows nearby – clearly it cannot cope with several months of inundation.
        
             

Tuesday, July 26, 2011

The sun may have (thankfully) set on the British Empire but not on its most successful invention.


It is often said that a lawn makes a good foreground but German garden designer Petra Pelz has got other ideas.

A recent post by a colleague on Gardening GoneWild (Tovah Martin) about planting up her lawn with plants rather than the heavily-shorn green stuff deals with what history may yet record as one of the great shifts in garden culture. Here I would like to take a hard look at this green tyrant and alternatives to it. Read on....


Tuesday, July 5, 2011

Sheffield - city of flowers?

Sheffield. Once 'steel city', then 'The People's Republic of South Yorkshire', now just another post-industrial regeneration site. BUT for those in the know in the garden and landscape world, a centre for good and wonderfully colourful ideas.  

 About 12 years ago Nigel Dunnett (know Professor) in the university Dept. of Landscape started working on annual seed mixes. The idea being to develop something which could be used by local councils to quickly and cheaply do something bright and uplifting, not just on roundabouts and parks but problem housing estates. These pictures were taken on the Manor and Castle Estates.
 They have been very successful, and hugely morale-inspiring to the folk who live in what can be very forlorn areas. I'm not suggesting that passive enjoyment of beautiful flowers significently reduces the rate of car theft, drug taking and the other traditional local pastimes, but it may do something. Nigel's experience in talking to local people is that the flowers are a huge morale-booster.


 Actually, the annual flower mixes are part of a much larger package of environment-led community regeneration organised by Green Estates, a not-for-profit who sell the seed under the brand name of Pictorial Meadows.



 There are now about half a dozen different mixes, based on colour or height. Each one includes around a dozen species, which flowers in succession. From a March sowing, flowers can be expected from June/July through to November.

Annuals actually vary in how long they live, from 'ephemerals' like field poppies which are nine-day wonders to longer-lived species like Californian poppies which can flower for months, and well into the winter given mild weather.

Nigel has also worked on perennial mixes, such as these, although they are slower to establish.

From left, Sheffield PhD students Jia Yuan and Ye Hang, Nigel Dunnett and Amalia Robredo.
I had gone to Sheffield for  a flying visit with Amalia Robredo after a Gardens Illustrated tour of Berlin and eastern Germany. Amalia is a pioneer garden and landscape designer who works in the coastal area of Uruguay. She has recently published the first popular guide to wildflowers of the area, with a view to encouraging their use in landscaping, and planted the first locally-native green roof. Sheffield gave her lots of inspiration.
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I am now publishing e-books through Amazon, for Kindle, smartphones, iPads etc. There are currently two available, both collections of writings for Hortus magazine, from the early 2000s. Click here for Amazon North America or Amazon UK.

Friday, July 1, 2011

The 'Special Relationship'

About a month ago the leading flag on the ‘flag counter’ on my blog finally tipped from the Union Jack to the Stars and Stripes. So perhaps this is a good moment to reflect on Anglo-American relations in the garden. With the recent visit of Mr. Obama (who we Europeans by the way all adore) there has been yet another spate of politicians and commentators discussing the so-called ‘Special Relationship’. There certainly is one in gardening, and like the political version, it is complex, constantly changing, and sometimes controversial.
Read more ............

Friday, May 13, 2011

Wisteria

Four year old wisteria on our house. Rather raggedy Tibetan prayer flags in front.
Wisteria tunnel at Antony House, Cornwall
There’s a house just down from the Garden Museum in London’s Lambeth where in April you can smell the wisteria quite a long way before you see it. It is a vast plant, covering three stories of a 19th century house with flower. The scent is really something, especially as it is on an otherwise rather dreary road.
Flowers are produced on old wood.

We are actually rather proud of our wisteria – it is now four years old and has flowered well for the first time. Yet the plant is notorious for not flowering. What happens is that it just grows masses of stems and foliage. Think of wisteria as a temperate zone liana – an immense woody stemmed climber with more in common with tropical Tarzan vines than tame old clematis and honeysuckle. It basically wants to climb to the top of large trees, up to 25m, where it can then flower. On houses, there is rarely the space available for them to develop anything like their full size.
No not our house - worse luck, but Wisteria running up the tower of the Landesmuseum in Zürich - 20-25m high.

Pruning is normally used to restrict size of the plant, and to stimulate flowering, on younger and smaller plants than would happen in nature. You have to be ruthless – in fact I think we have taken off 90% of the plant’s growth over the years.
Restricting the growth of the plant to a framework is crucial to develop a tidy plant and flowering.
Important to cut back all fresh stems from the main stem, otherwise you'll end up with a tangled mess.
Wisteria will twist any vertical support wires around it
So, you need to have an adjustable link to the bottom of any vertical wire supports.