Friday, February 8, 2008

'Girly Gardens' and Kim Wilkie links

I have a contribution to one of the discussions currently on the marvellous and stimulating Thinking Gardens:

Its part of an ongoing discussion about gender and the garden.

Also, the Vista Debates at the Museum of Garden History are now being made available as podcasts from the Gardens Illustrated website. The December Kim Wilkie session and an interview with Tim Richardson about the debates can be found at:

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Sunday, February 3, 2008

We have only just started

    It never ceases to surprise me how little the question of planting design is really understood, or expressed, or articulated. Few since Gertrude Jekyll have really spelt out principles clearly.
    A few years ago I came across a dissertation at Vienna's University of NAtural REsources and Applied Life Sciences (German 'Bodenkultur' sounds so much more pithy!)* in which the author had read all our books and critiqued us for failing to develop a language of planting design, in particular no agreed terminology.
    Many in the landscape design, and some in the garden design business may be surprised by this. But such surprise probably indicates that all they do is spray in 'green cement' in great monocultural blocks and leave it at that. Real planting design involves so much more, with a palette which is enormous, each element of which has a will of its own, and will react differently in each location. Makes painting seem a doddle by comparison. As does the Burle Marx approach, which to me now, feels more and more like Victorian bedding meets modernismo.
     My feeling that we have only just begun to really think seriously about planting design is strengthened by a visit to Piet Oudolf to look at drawings and pictures of recent projects. There was a point at which his public design work seemed like it might just get stuck in the distribution of monocultural blocks over a wide area. But then he started varying it with scatterings of specimen plants, that repeated like a rhythm, and then varying the rate of scatter, adn then using the scatter and intermingle approach to produce a whole level of transformation effects within plantings. As a consequence he is taking planting design to new heights of sophistication. His drawings are artworks in themselves and essential in order to understand what is actually going on beneath the richness of his plantings.
    The analogies to music seem so obvious, I find myself grasping for words to describe what Piet does, and always seem to fall back on musical ones. An analogy that Nori Pope really articulated. It is high time we found a common language to describe how we distribute plants across space. And started thinking a bit more analytically  about what we do.

* If anyone wants to see this (auf Deutsch) please ask.

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